![]() They hurt like hell, and Mia hates pain more than work. And why did the selfish princess have a change of heart, you ask? Simple-she didn't. Little by little, their tireless efforts begin to change the course of history, pushing the whole of the continent toward a new future. Together, they strive day and night to restore the Empire. Hard work and Mia don't mix, so she seeks out the aid of others, starting with her loyal maid, Anne, and the brilliant minister, Ludwig. Natural calamities and economic strife? Check. Only to wake back up as a twelve-year-old! With time rewound and a second chance at life dropped into her lap, she sets out to right the countless wrongs that plague the ailing Empire. Surrounded by the hate-filled gazes of her people, the selfish princess of the fallen Tearmoon Empire, Mia, takes one last look at the bleeding sun before the guillotine blade falls. This one will bring back her to the castle of her beloved where she will have to face Pizzaro to protect a dangerous document. Aramis discovers that the story has a link with Catherine de Médicis, and launches out an investigation. After a day, D'Artagnan heard that the woman was killed last night and Rochefort and Cardinal's guards arrested him for murder because his hat was found by the woman's body. D'Artagnan brought her to home but she disappeared soon. On his way to home, D'Artagnan witnessed the woman whom he rescued from Jussac about to jump into the river, and rescued her again. Of couse, they fought Jussac and the Cardinal's guards and won. Then she went to Paris to be a musketeer.ġ year after the end of TV series, D'Artagnan had a drink with 3 musketeers and found that Jussac and the Cardinal's Guards harrassed a woman in a tavern in Paris. Francois was killed by Manson and the Ironmask's people, so Aramis swore revenge. They fell in love with each other at first sight and spent their time happily for a while. Slice of Life and Romance are incompatible by definition.Īramis fell off her horse and received the aid of a man named Francois. ![]() Comedy requires Romance narratives to be focused on eliciting laughter, not only using comedy for lightheartedness. For both tags, the drama should be focused not only on the relationship but also on the side storylines for example, one character overcoming the death of a loved one or a drug addiction. Since they are plot-driven stories showing humans experiencing romantic struggle, most Romance has some Drama inherently. "Teasing" stories which do not narrate significant romantic development but have a conclusion should be tagged Romantic Subplot.Ī story can be simply Romance. Open-ended romantic endings are only acceptable when the work is an incomplete adaptation of a Romance source. Romance stories require significant romantic development leading to some kind of conclusion: either to begin the relationship, continue it, or end it. Almost always, the story ends happily and the couple is rewarded for their efforts with lasting love. ![]() The narrative focuses on the thoughts and emotions of the characters, illustrating the connections between them and explaining their reactions to events or conflict. Falling in love and struggling to progress towards-or maintain-a romantic relationship take priority, while other subplots either take backseat or are designed to develop the main love story.
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